Prescient.ĭisaster-movie specialist Roland Emmerich got some heat (no pun intended) from scientists upon the release of this blockbuster starring Dennis Quaid and Jake Gyllenhaal - but we can wholeheartedly recommend it for entertainment purposes, even though, according to (real) paleoclimatologist William Hyde, the film is 'to climate science as Frankenstein is to heart transplant surgery.' The ice-age phenomenon portrayed in the film is a result of melting ice caps and a chaotic array of global super storms - in the realm of possibility, but not in its actual depiction, where a natural doomsday suddenly transforms the world into complete chaos, especially in Manhattan, where high-school academic decathlete Gyllenhaal is forced to shelter at the New York Public Library while also fending off ravenous zoo wolves as he waits for paleoclimatologist daddy Quaid to rescue him.

Brosnan's scientific concerns are undermined by his boss's political decision to suppress the truth about a potential eruption, so as to minimize pushback from locals over the economic impact it might have, and only accepts facts once the ash and lava start spewing forth, far too late to get everyone out alive, including himself. This movie also boasts some choice '90s nostalgia, including Grant Heslov's coffee-obsessed geologist during Starbucks' post-grunge-era surge, but adds in some commentary relevant to our current pandemic. For one thing, Dante's Peak - which follows a sad volcanologist played by Pierce Brosnan, fresh off his debut as James Bond in GoldenEye, as he becomes increasingly Chicken Little-y about the titular mountain's likelihood to blow its top and wipe out a tiny Northwest town whose mayor is played by Linda Hamilton - concerns an actual volcano. Just like the twinned apocalyptic-object movies Deep Impact and Armageddon a year later, the lava-centric thrillers Dante's Peak and Volcano arrived in theaters only a few months apart in 1997 and don't have much in common beyond their inherent existential threat.

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